Teach Yourself Bagpipes by Lindsay Davidson - Intermediate Finger Exercises and RSPBA MAP Tunesbringing quality 'piping instruction to you for free
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|Lady MacKenzie of Fairburn|
Link to RSPBA (Royal Scottish Pipe Band Association) source
Midi files (please keep coming back until this is fully updated)
Please click on these files to hear the music played through midi.
For more information on how to use these midi files please follow the link on the left.
Five discussion points
1 C doubling bar 1 - some people call this rhythmical pattern a 'double tachum'. This is because we can think of it as a single action, or also because the doubling fits into the space given to the C in a tachum. To make this work and have the desired effect, and fit in the given space, the D gacenote needs to be fantastically short (128th note). Listen to the midi file..
2 High A doubling bar 1 - this is rhythmically identical to the C doubling. Knowing this should help get the feel for the rhythmical pattern into everyone's hands and heads.
3 High G gracenote from E to C bar 3 - this takes up a third of the last semiquaver of the beat, giving extra emphasis to the third beat in the bar.
4 Throw bar 4 - a kind of medium weighted throw - long low G and a short D and even shorter strike. Rhytmically this is identical to the C doublings (after the beat). Listen carefully to the midi file (and in time there will be an exercise about this, please keep coming back).
5 Bar 5 the first high G gracenote is shorter than all the others. This is a merely pragmatic step as to introduce triplets into this complex pattern is impractical for less experienced bands. Soloists might have a different approach.
Five exercises (please keep coming back until this is fully updated)