Teach Yourself Bagpipes by Lindsay Davidson - Intermediate Finger Exercises and RSPBA MAP Tunes

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The Silver Spear

silverspear.png

 
Five discussion points

1   The rhythm of the single gracenotes is very important in this tune. Making each eighth note same as each other is critical to getting the effect of this tune which excites so many people, and this is supported by making each gracenote the same length. The evenness of the note durations gives the effect of playing quickly, even if you are playing slowly. Listen very carefully to the midi files.
2   Low A doubling bar 1 - be careful to make sure that the D gracenote in the doubling is shorter than the other gracenotes, otherwise the tune will lose shape.
3   Hara in bar 2 - this has the same rhythm as the low A doubling in bar 1. You may wish to tap out this rhythm on the table a few thousand times to be sure of it. Also, keep telling yourself that the hara here is a kind of doubling - it might help to remember the function of embellishments...
4   Bar 4 low G gracenote to low A - this has the same timing as the high G gracenotes commented on in point one and for the same reason.
5   Bar 9 G gracenote to F from high A - this cannot be played and is clearly a proof-reading oversight by the RSPBA. The midi file omits this, and so should your band.

This section of the website has tunes taken from the Royal Scottish Pipe Band Asociation (RSPBA) prescribed tune list.

If you learn these tunes, there will be a large number of people you can be sure to find tunes in common with.

The RSPBA update their list from time to time and the versions here followed their original published versions, pending updates in due course.
These videos show the music and you can hear midi generated tracks where the rhythm of the gracenotes and embellishments is maintained in proper interprative proportion. You should try to feel the rhythm and also count it out exactly. Start with the fastest files and as you get better, go to the slower files, as this is a true measure of your security of technique.

Each file is given at two pitches, A and B flat. This reflects the different practice chanter tunings commonly found. Please scroll down to what you need (site updated for smart phone and tablets)

The exercises below are chosen to help with some particular trickiness in each tune.


Videos to play along with


Low Pitch normal speed

Low Pitch half speed

Low Pitch quarter speed

High pitch normal speed

High pitch half speed

High pitch quarter speed


For more information on how to use these midi files please follow the link on the left.


Five exercises

Exercise 1

mapex12

Low Pitch High Pitch
Full speed Full speed
Half speed Half speed
Quarter speed Quarter speed

Exercise 2

mapex14

Low Pitch High Pitch
Full speed Full speed
Half speed Half speed
Quarter speed Quarter speed


Exercise 3

mapex15graphic

Low Pitch High Pitch
Full speed Full speed
Half speed Half speed
Quarter speed Quarter speed

Exercise 4

ex52

Low Pitch High Pitch
Full speed Full speed
Half speed Half speed
Quarter speed Quarter speed

Exercise 5

ex57


Low Pitch High Pitch
Full speed Full speed
Half speed Half speed
Quarter speed Quarter speed

About this project
Lindsay Davidson
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