Teach Yourself Bagpipes by Lindsay Davidson

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Main Index

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How to Practice
Order of Study
Rhythm and Reading Music
Exercises 
Tunes


Bagpipes:
Transition to Bagpipes
Tuning a Bagpipe


Getting Better:
Using Midi files

Intermediate exercises
Advanced

Band repertoire


Links:
Where to buy equipment

Links to teachers
Links to Organisations
Links to pipe bands
Links (other)

HIGH ‘G’ DOUBLING

This is slightly different from the other Doublings.  From any note,  make High ‘G’ and double it by simply striking your G finger on and off the chanter quickly.  From High ‘G’,  this is just a strike.  As you will see,  coming from High ‘A’ is odd,  and indeed does not double the note. It does however serve the same musical purpose - to make the note stand out.

Order of Events:
1.         Note - ‘B’ in example 28.
2.         Change to High ‘G’.
3.         Double High ‘G’ with a strike (see above).
4.         End on High ‘G’.
 From High ‘A’ (example 29):
 1.         High ‘A’.
2.         Change to ‘F’,  remembering to move your thumb last.
3.         Lift High ‘G’ finger - do this as soon as you can hear and feel the ‘F’.
 Example 28 - HIGH ‘G DOUBLING FROM ‘B’.
XX XO XX XO
X O O O
X O O O
       
X X X X
X X X X
O X X X
O O O O
       
B Change to High G Double by striking down G finger End on High G

Example 29 - HIGH ‘G’ DOUBLING FROM HIGH ‘A’.
 

OO XX XO
O O O
X O O
     
X X X
X X X
X X X
O O O
     
High A F High G

Examples 28 & 29


example 28 29

Please click on the image to hear it being played

Rudiments Index

Hand Position and the Scale
Crossing sounds
G Gracenotes
D Gracenotes
E Gracenotes
G,D,E Gracenotes exercise
Strikes
Throws
Doublings - general principles
Low G Doublings
Low A Doublings
B Doublings
C Doublings
D Doublings
E Doublings
F Doublings
High G Doublings
High A Doublings
Grips
Taorluath
Birl
Tachum
Hara


po polsku
About this project
Lindsay Davidson
About the author