Taorluaths Exercise
1
This exercise is designed
to allow the player to control when gracenotes open and close in a taorluath.
There are three midi files here; slow medium and fast. All of the proportions
between the gracenotes and notes are exactly the same no matter what the speed.
The most common mistake in piping is to think that one is playing too slowly.
Typically this is only an impression and the real problem is that the proportion
between the length of the gracenotes is ‘wrong’.
In this exercise we
always end on ‘A’. In piobaireachd, which is an advanced kind of pipe music,
this most commonly happens, but in ‘light music’, which are marches, dances,
songs etc, taorluaths will happen between other notes.
This is to train the
fingers to play a taorluath ending by opening the next note of the tune ON
the beat, that is, taking the time for the taorluath from the note before the
taorluath, not after it. This is how taorluaths are used in the vast majority of
cases, but not all..
This is a slow taorluath, to firmly establish the basics. Deciding how much time a taorluath will take from the surrounding notes is a matter of interpretation. Having the skill to realise one’s decisions is the object of learning technique. Intermediate taorluaths 2 will show you how to play a taorluath in half the space that this exercise will show.


Please note that
although the gracenotes are written the same way, they are not all the same
length. This is the art of interpretation, and making good decisions as to when
to lengthen and shorten gracenotes takes time, experience and learning. Why we
make certain interpretation decisions depends on music theory, the theory of
listening etc. Being empowered to control when gracenotes open and close is the
first step in this adventure.
The files will play
with your usual media program, such as windows media player.
Being a midi file,
it is fully customisable. Please contact us if you want it at a higher or lower
pitch or at different speeds, or ending on different notes.
This kind of exercise is
ideal for band purposes. Many years ago, when the art of pipe band playing was
less developed than now, some bands divided responsibilities between players -
experienced and stronger players played technique, whilst less experienced or
weaker players played only ‘big’ notes and minimal technique. Now bands try
to have everyone playing all the technique all the time. These exercises can be
practiced alone at home with the certainty that all the band members are doing
the same thing and aiming for the same results.
“A good
band plays together by playing the same thing at the same time using the same
techniques”